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This is a short music video featuring the great cuban composer Leo Brouwer's Danza Caracteristica. It's a piece that I last played when I was 15 years old and have just relearned it as one of my students is now playing it. Audio track was recorded at my project studio (urosbaric. Manual Meat Grinder 32 Motorize Your Antenna more. com/studio) in Zavrhek, Slovenia, using a pair of Oktava Mk-012 mics modded by Michael Joly and a Rode NT-1A with Michael Joly's MJE-K47 capsule, run through Metric Halo ULN-2 preamps and converters. Video was shot with a Canon EOS 600D (Rebel T3i) using the kit lens (18-55 mm) as well as Canon EF 50 mm f/1.8 lens. Enjoy the video and please subscribe!

'I'd say that being in an orphanage made me reflect on the 'what' and the 'why' — especially the 'why' — of the essential things in life,' he says. Ms Money 2017. 'What is a man? What am I doing here?

What is culture? Why am I fascinated with this?' Brouwer says he listened to Cuba's classical radio station all the time and learned how to read sheet music by haunting music stores in Havana when he was 15 years old.

'I arrived and showed my clean hands, so I could touch the sheet music. 'Sure, come on in, boy,' they'd say. I spent four hours a day standing, studying, including one of 's string quartets, who was one of my first teachers of the traditional forms. That's the world in which I began to compose,' he says. 'I didn't have a piano, I don't need it.

I trained the ear and I wrote on the table. And I still write music that way. The guitar was a reference, for fingerings and things like that.' Brouwer's models were,, and Stravinsky. He wanted to do for the guitar what they had done for instruments like piano and violin. Brazilian guitarist Carlos Barbosa-Lima first heard Brouwer's music when he was touring in Europe, in the early 1970s.

'For me it was a new experience, because I saw a composer-guitarist with incredible view of the music and different styles too, including the popular roots, and also his knowledge,' Barbosa recalls. 'I think probably he had his style, when he was in his teens, already defined.' YouTube Part of that style is incorporating traditional music and Cuban instruments in classical music forms. But Brouwer is also a big fan of popular music and says it's just as important as anything written for the concert hall. 'That's the case of, among others, or a. Including those that could be labeled commercial,' Brouwer says. 'The composers of boleros from Cuba and Mexico are absolute geniuses.

Those boleros they wrote will transcend history because they're incredible.' Brouwer has a special place in his heart for The Beatles. He decided to arrange their music for classical instruments because of a particular Cuban minister of culture and his views on music.

'He even felt North American music deformed people. That view was widespread during the old Soviet era, that some music was degenerate, that it was a Nazi heritage,' Brouwer explains.